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07-11-2020, 06:11 AM | #31 |
Rockin' yer FACE OFF!
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Also though, it seemed this production was lip synced...is that correct?
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07-11-2020, 08:05 AM | #32 | |
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I THINK that all of the audio was taken from the live performances during the days they recorded (which I understand was two actual shows with an audience and one day of filming various close-up shots). It certainly wouldn't surprise me if there were moments when the audio was from Day 1 and you were seeing video from the close-ups, for example. So in that sense, it was probably synced a little, but definitely not end to end. |
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07-11-2020, 09:00 AM | #33 | |
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The gist is like in this case, they can take any audio or performance from those two days and mash them together, The comedy specials we see from everyone are usually recorded over two days and mashed together. But, if you say its live, you cant put studio recorded audio into the live broadcast. |
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07-11-2020, 09:03 AM | #34 | |
Rockin' yer FACE OFF!
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07-11-2020, 02:04 PM | #35 | |
Sauntering Vaguely Downwards
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During Speechless the flowers around her neck come and go. Not lip synced, however, there were some moments spliced in that were done after the recorded performance. They were done without an audience and they were primarily for more 'intimate' close-up shots. It's still a 'live' performance and not overdubbed, but they did do some editing of a few moments here and there. Last edited by DJ's left nut; 07-12-2020 at 09:24 AM.. |
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07-11-2020, 03:04 PM | #36 | |
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I haven't had a chance to watch it yet (my wife and kids have seen it a half a dozen times since last week) but once everything's benn recorded into an Avid rig and Pro Tools, anything can be fixed, from pitchy vocals to the overall live mix. While I'm certain that there are different performances from the recordings 2016, the editor will pick the best performance and roll with it. So unlike a general stage performance, we're seeing the best possible performances edited together from many different nights (which is not unusual). These performances were also recorded without an audience, making the audio editing (and probably the video editing) much, much easier than if there was a live crowd due to the silence in the theater. That would also explain why some people have felt the edited performance fell a little flat as compared to the theater experience because stage actors really feed off of the audience and their reactions. Slightly off-topic but I've been watching the Frozen 2 doco series on Disney+ and just as I had imagined, all of Kristen Bell's (and many of the cast members) had their vocals tuned because all of them were extremely pitchy when seen recording their vocals for the songs. |
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07-11-2020, 03:06 PM | #37 | |
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07-11-2020, 04:24 PM | #38 |
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07-11-2020, 06:12 PM | #39 |
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Calling MLK a domestic terrorist is coming from the same voice that shot him. MLK made more change in this world than you and your friends ever did or will, and they're far better men because of it. Have a little respect for a man who was assassinated for speaking for equality.
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07-11-2020, 09:10 PM | #40 | |
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07-11-2020, 10:11 PM | #41 | |
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/I could be wrong |
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07-11-2020, 11:10 PM | #42 | |
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https://www.nytimes.com/2020/06/25/m...streaming.html |
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07-12-2020, 06:58 AM | #43 | |
WE ARE THE CHAMPIONS
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07-12-2020, 03:05 PM | #44 |
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07-12-2020, 04:10 PM | #45 | |
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The production company spent $10 million to produce and while they had to rent five cameras, a steady-cam and 100 microphones, that seems a bit expensive to record only two shows. |
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