Quote:
Originally Posted by Baby Lee
I'm sensing that critics have a low-level grudge against Sheridan.
They like his product from a narrative and cinematographic sense, but they deeply distrust his penchant for making the drug business threatening on the border [Sicario] and making white males sympathetic, or at least somewhat noble [Yellowstone/Hell or High Water].
They seem to be trying to formulate a thesis as to why he's 'problematic.'
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It's been happening already.
https://crookedmarquee.com/taylor-sh...s-perspective/
Hell or High Water is a favorite of mine.