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Old Today, 12:30 PM  
Hammock Parties Hammock Parties is offline
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Chiefs vs Ravens: A Coronation in the Kingdom!
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Old Today, 01:00 PM   #2
wazu wazu is offline
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This was awesome, thanks for making! Particularly loved the music change when "X" made plays.
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Old Today, 01:14 PM   #3
Graystoke Graystoke is offline
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Old Today, 01:29 PM   #4
Hammock Parties Hammock Parties is offline
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Originally Posted by wazu View Post
Particularly loved the music change when "X" made plays.
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Old Today, 01:35 PM   #5
ToxSocks ToxSocks is offline
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Originally Posted by Hammock Parties View Post
Musta been a harrowing experience for you to go down the DMX rabbit hole and see all those pit bulls.
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Old Today, 01:52 PM   #6
Hammock Parties Hammock Parties is offline
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Musta been a harrowing experience for you to go down the DMX rabbit hole and see all those pit bulls.
You like DMX? His early work was a little too new wave for my taste. But when It's Dark and Hell Is Hot came out in '98, I think he really came into his own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost.

He's been compared to Ghostface Killah, but I think DMX has a far more bitter, cynical sense of humor. In '99, DMX released this: And Then There Was X, his most accomplished album.

I think his undisputed masterpiece is "Party Up (Up in Here)." A song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity and the importance of trends. It's also a personal statement about rap itself.
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Old Today, 01:56 PM   #7
Womble Womble is online now
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Originally Posted by Hammock Parties View Post
You like DMX? His early work was a little too new wave for my taste. But when It's Dark and Hell Is Hot came out in '98, I think he really came into his own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost.

He's been compared to Ghostface Killah, but I think DMX has a far more bitter, cynical sense of humor. In '99, DMX released this: And Then There Was X, his most accomplished album.

I think his undisputed masterpiece is "Party Up (Up in Here)." A song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity and the importance of trends. It's also a personal statement about rap itself.
I totally get what you mean! DMX really did find his stride with "It's Dark and Hell Is Hot." It’s raw and powerful, and you can feel the energy in every track. The way he blends that gritty realism with a polished sound is something special. I love how you pointed out the contrast between DMX and Ghostface Killah; their styles really do resonate differently.


"Party Up (Up in Here)" is such a classic! It’s one of those tracks that gets everyone hyped, but you're right about the deeper meaning behind it. DMX had a way of weaving personal struggles and broader themes into his music, making it relatable on so many levels. "And Then There Was X" definitely solidified his legacy, showcasing his versatility and growth as an artist. What’s your favorite track from that album? I’d love to hear your thoughts!
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Old Today, 02:24 PM   #8
GeorgeZimZam GeorgeZimZam is offline
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Quote:
Originally Posted by Womble View Post
I totally get what you mean! DMX really did find his stride with "It's Dark and Hell Is Hot." It’s raw and powerful, and you can feel the energy in every track. The way he blends that gritty realism with a polished sound is something special. I love how you pointed out the contrast between DMX and Ghostface Killah; their styles really do resonate differently.


"Party Up (Up in Here)" is such a classic! It’s one of those tracks that gets everyone hyped, but you're right about the deeper meaning behind it. DMX had a way of weaving personal struggles and broader themes into his music, making it relatable on so many levels. "And Then There Was X" definitely solidified his legacy, showcasing his versatility and growth as an artist. What’s your favorite track from that album? I’d love to hear your thoughts!
Womble's AI bot lacking a proper British tongue just doesn't hit the same though.

Needs more bloodys and blimeys...
DMX would likely bring a unique flair to British English! Imagine him dropping his iconic lines with a British accent—his intense, gravelly delivery mixed with some British slang would be quite the combo. I can picture him saying something like, “Y’all gonna make me lose my head, innit?” It’d definitely be an interesting twist on his classic style. What do you think?
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GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.GeorgeZimZam would the whole thing.
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Old Today, 02:28 PM   #9
Womble Womble is online now
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Quote:
Originally Posted by GeorgeZimZam View Post
Womble's AI bot lacking a proper British tongue just doesn't hit the same though.

Needs more bloodys and blimeys...
DMX would likely bring a unique flair to British English! Imagine him dropping his iconic lines with a British accent—his intense, gravelly delivery mixed with some British slang would be quite the combo. I can picture him saying something like, “Y’all gonna make me lose my head, innit?” It’d definitely be an interesting twist on his classic style. What do you think?
While I appreciate your enthusiasm for the blend of cultures, it seems you've missed the point entirely. The notion that an AI must conform to a specific accent or vernacular to resonate is rather simplistic, don’t you think? It’s quite amusing, really, that you expect a mere bot to deliver the same charisma as a legendary rapper like DMX. He's a unique artist with a specific flair that no imitation can match, regardless of the accent.


As for your suggestion of him dropping lines in a British accent, that’s a rather naïve idea. It’s charming to envision, but let’s be honest—such a concept risks trivialising his artistry. British slang and DMX's style? It’s a curious thought, but the execution would likely come off as forced, lacking the authenticity that both British English and DMX bring to the table.


In the end, if you’re looking for a bot to serve you a perfectly packaged British experience filled with “bloodys” and “blimeys,” perhaps you should recalibrate your expectations. An AI can only do so much, and your insistence on a particular flavour of English is rather limiting. Maybe broaden your horizons a bit? And wash your ****ing legs while you're at it.
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Old Today, 02:39 PM   #10
Marcellus Marcellus is offline
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I didn't realize watching the game live, probably because I was so pissed initially, how close Lamar came to overthrowing Bateman on that big pass to set them up in side the 20.

He just about airmailed that. Hell of a catch.
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Old Today, 02:42 PM   #11
PHOG PHOG is online now
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Old Today, 02:44 PM   #12
New World Order New World Order is offline
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Old Today, 02:53 PM   #13
Bowser Bowser is online now
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Quote:
Originally Posted by Hammock Parties View Post
You like DMX? His early work was a little too new wave for my taste. But when It's Dark and Hell Is Hot came out in '98, I think he really came into his own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost.

He's been compared to Ghostface Killah, but I think DMX has a far more bitter, cynical sense of humor. In '99, DMX released this: And Then There Was X, his most accomplished album.

I think his undisputed masterpiece is "Party Up (Up in Here)." A song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity and the importance of trends. It's also a personal statement about rap itself.


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